Graphics/Special effects in Tamil movies
Special effects are to be used in movies to enhance the visual experience. To be more specific, graphics are being used as a replacement of an original scheme (e.g., sinking of the titanic, volcanic eruptions, etc.), bringing fantasies/anachronistic events to life (e.g., dinosaurs) or can be used in an entirely "unique" area (also known as tamil cinema).
With the limited tamil cinema knowledge I possess, special effects can be very nicely split into two eras - Pre-Shankar and Post-Shankar.
Pre-Shankar:
I do not remember a lot of movies using special effects in the pre-Shankar era - maybe a few jaganmohini type movies, popularly known as "Vittalacharya" movies. I have not seen much of that genre, so I am incapable of commenting on them. Apart from this type of movies, there were scores of other movies which depicted "feshal" effects by brilliantly pasting disjoint scenes - like a forest scene, where MGR fights a lion: The lion's footage would be an age-old African savannah shot. Of course, the close-up would have a big furry lion doll trying to paw MGR. Crocodiles, tigers, snakes have also graced the silver screen without their knowledge. Of course, one cannot blame the movie makers; they had limited technology and money, and who cares if a snake is getting a pay-check.
Post-Shankar:
Post-Shankar, however is a completely different story. The main reasons were that producers were willing to spend more money and technology was picking up. With the advent of high-tech companies, software professionals started to wet their hands in this field. It required both creativity and implementation skills - not an easy combination. The graphic designers were fresh and willing to experiment (and not to mention that the director had NO IDEA of what specifications to give and what to expect). In this learning curve, a main aspect, however was forgotten/ignored. Why use special effects for a particular scene?. Rather, it started something like this: a programmer or his group had probably implemented a new module and the TEAM LEAD convinced his manager to use this somehow, somewhere in the movie. Who knows?. If that particular graphic module was selected, he may be sent to "ON-SITE".
Actually, this ploy worked pretty well. We, the audience had no idea what to expect, so if there was anything compooter-generated, jaws dropped. Shankar adopted this technique of using the producers' money in a proper fashion ("it's worth it, Kunjumon sir"). The problem started when graphics were used by every other director and for any and every scenario. What started as a "haiii, sooper maa" became "aiya, dho da".
From what I have scene (sorry, seen) on the screen, the following list has scenes/movies which mis-used graphics, and thereby incurred the audience's (hee hee, naanthaan) displeasure:
Asattu graphics or unwanted graphics in no particular order:
1. Anniyan: This movie had a 27 crore rupee budget. I can think of atleast 5 cuts in the editing room which could have saved the producer a couple of crores. Some of the achhu-bicchhu graphics are -
7. Kadhalar dhinam: A movie which I love to hate. Cheesy dialogs, lyrics, scenes.. you name it.
Wise-use:
1. Jeans: I think this movie revolutionized dual-roles. Indian did have some good scenes with the Indian thaatha and the other Kamal, but this one was miles ahead. The skeleton dance was a new addition and was actually enjoyable.
2. Kadhalan: The headless-dance in the "Muquabla" song was widely enjoyed. Intro graphics in "Ennavale" was also nice.
3. Indian: A good tribute to MJ's Thriller video (and Dangerous) through "Maya Machindra" song.
4. Chandramukhi: Towards the end of the movie, the scenes depicting Jyothika's past were pretty welll done.
5. Kurudhi Punal: The last scene (Kamal) was well taken. I am not sure if it was CG or just "ropes", but the end-result was good.
6. Anbey Sivam: Very subtle graphics in the Umbrella fight (Kamal's flashback). Neatly done.
It seems like Shankar has both revolutionized graphics and also mis-used them. But do we need them at all?. For instance, Manirathnam (exception: Anjali's star wars song), Bala and Selvaraghavan are able to give such strong themed movies without any antics. It could also be because these three guys do not spend a lot of money for their movies. Mani has never shot a scene outside India!. Maybe I am speaking too soon!. Who knows?. Selvaraghavan's future movie (Savaanah vil senthilnaathan) may feature Danush as a psycho safari ranger, and we may see the lion-pawing scene again!.
With the limited tamil cinema knowledge I possess, special effects can be very nicely split into two eras - Pre-Shankar and Post-Shankar.
Pre-Shankar:
I do not remember a lot of movies using special effects in the pre-Shankar era - maybe a few jaganmohini type movies, popularly known as "Vittalacharya" movies. I have not seen much of that genre, so I am incapable of commenting on them. Apart from this type of movies, there were scores of other movies which depicted "feshal" effects by brilliantly pasting disjoint scenes - like a forest scene, where MGR fights a lion: The lion's footage would be an age-old African savannah shot. Of course, the close-up would have a big furry lion doll trying to paw MGR. Crocodiles, tigers, snakes have also graced the silver screen without their knowledge. Of course, one cannot blame the movie makers; they had limited technology and money, and who cares if a snake is getting a pay-check.
Post-Shankar:
Post-Shankar, however is a completely different story. The main reasons were that producers were willing to spend more money and technology was picking up. With the advent of high-tech companies, software professionals started to wet their hands in this field. It required both creativity and implementation skills - not an easy combination. The graphic designers were fresh and willing to experiment (and not to mention that the director had NO IDEA of what specifications to give and what to expect). In this learning curve, a main aspect, however was forgotten/ignored. Why use special effects for a particular scene?. Rather, it started something like this: a programmer or his group had probably implemented a new module and the TEAM LEAD convinced his manager to use this somehow, somewhere in the movie. Who knows?. If that particular graphic module was selected, he may be sent to "ON-SITE".
Actually, this ploy worked pretty well. We, the audience had no idea what to expect, so if there was anything compooter-generated, jaws dropped. Shankar adopted this technique of using the producers' money in a proper fashion ("it's worth it, Kunjumon sir"). The problem started when graphics were used by every other director and for any and every scenario. What started as a "haiii, sooper maa" became "aiya, dho da".
From what I have scene (sorry, seen) on the screen, the following list has scenes/movies which mis-used graphics, and thereby incurred the audience's (hee hee, naanthaan) displeasure:
Asattu graphics or unwanted graphics in no particular order:
1. Anniyan: This movie had a 27 crore rupee budget. I can think of atleast 5 cuts in the editing room which could have saved the producer a couple of crores. Some of the achhu-bicchhu graphics are -
- the scene in which bits of information fly through the fibre-optic cables and enters a database of cached web sites. COME ON!. Give me a break!.
- the entire anniyan.com website (in the movie), complete with the yerumai maadu.
- ala matrix style stunts. It was cute the first time in Matrix. But even the subsequent (2 and 3) were dragging.
- what the hell is that "dabara" song - the one which ends up with a coke can. It was so irritating to watch it.
- the multiple camera angles was ok for once or twice. But an entire song like that?. Shankar infact "perfected" the multiple thingy in Anniyan, where Sada's fall from the stairs(?) is taken in a vertical multiple angle shot. #$$#*&#!!!
- paramapadha paambus - such a pathetic looking sequence. The scene is complete with Manisha Koirala closing one of the snakes's head (Vadivelu, I think) with a pot!.
- kite scene - can you believe it?. An entire 6 minutes wasted. I wish he had wished for some other wish.
- A Tyrannosaurus Rex dancing on a rotating CD!!. This image has been immortalized in my memory!.
7. Kadhalar dhinam: A movie which I love to hate. Cheesy dialogs, lyrics, scenes.. you name it.
- Overkilling the dancing baby, people typing on a keyboard randomly - for the first time, I was ashamed of being associated with Computer Science.
- All those chat graphics. I am not even sure if today's chat software has roses swirling when someone types ROJA. Talk about AI!.
- Roja Roja song - Oh my god!. Sonali Bendre is flying in a bed of roses, and Kunaal is urugifying for her. Need I add that Unnikrishnan's voice was at its effeminate best.
- Race track fight - poor quality graphics. Even the front-most frontbencher would have groaned looking at it.
Wise-use:
1. Jeans: I think this movie revolutionized dual-roles. Indian did have some good scenes with the Indian thaatha and the other Kamal, but this one was miles ahead. The skeleton dance was a new addition and was actually enjoyable.
2. Kadhalan: The headless-dance in the "Muquabla" song was widely enjoyed. Intro graphics in "Ennavale" was also nice.
3. Indian: A good tribute to MJ's Thriller video (and Dangerous) through "Maya Machindra" song.
4. Chandramukhi: Towards the end of the movie, the scenes depicting Jyothika's past were pretty welll done.
5. Kurudhi Punal: The last scene (Kamal) was well taken. I am not sure if it was CG or just "ropes", but the end-result was good.
6. Anbey Sivam: Very subtle graphics in the Umbrella fight (Kamal's flashback). Neatly done.
It seems like Shankar has both revolutionized graphics and also mis-used them. But do we need them at all?. For instance, Manirathnam (exception: Anjali's star wars song), Bala and Selvaraghavan are able to give such strong themed movies without any antics. It could also be because these three guys do not spend a lot of money for their movies. Mani has never shot a scene outside India!. Maybe I am speaking too soon!. Who knows?. Selvaraghavan's future movie (Savaanah vil senthilnaathan) may feature Danush as a psycho safari ranger, and we may see the lion-pawing scene again!.
Labels: full form
18 Comments:
I do feel that few scenes in Anniyan are dragging and quite irritating. For example the karate fight was a bit dragging and boring. Except for such things.. the graphics used in Anniyan and also in other shanker's films were of A-Quality.
He may spend lot of money on graphics but the final quality will be terrific on Silver screen. You compared it as pre-shanker and post-shanker but it should be shankar type and other directors type.
When I saw Anniyan my reaction to those graphics were different and my reaction to graphics in other movies were different. After watching the quality of graphics in Baba/Chandramukhi ..vijaykanth..vijay and ofcourse our ajith movies.. one can't control their laugh. The scene in baba where rajni plays volley ball or fights with that iron box around his neck or fights in vijaykanth/vijay movies.. are only execution of some poor and cheap graphics which tend to elevate the power of hero. Where as shanker never uses graphics to elevate hero's charecter but only to elevate a particular sequence or a scene which will b mind blowing.
The amout of time and money he spends on a movie are definitely worth.
By BoldTaurean, at August 17, 2005 3:51 AM
Nice post, Deepak.. I just came to know a few weeks before, that in the entire "Pachai Nirame" song, it was graphics that created all the beautiful colors..
The infra-red lens effect in 'Kadhal Desam' was OK..
I enjoyed the martial arts fights scene in Anniyan totally. The moment Sada entered the place, I realized that this fight is just an insertion.. so just leaned back and relaxed to enjoy it..
By Anonymous, at August 17, 2005 6:13 AM
boldtaurean: Thanks for your comments.
The point is not about A-Quality. The point is about the necessity.
If by "The amout of time and money he spends on a movie are definitely worth", you mean - paying the salaries of graphic designers, I agree.
--..--..--
GP: Yea. Pachai nirame was a case of good use of enhancements. Now that is a clever use of technology.
By tt_giant, at August 17, 2005 7:10 AM
tt..awesome post..well shankar revolusionized graphics,special effects and added the sophisticated look 2 our cinema.but like u say some of his graphics have been crazy.even in gentleman in chiku baku raiyele there were graphics which were actually cute..but he is a pioneer and a great special effects guy..shankar the film engineer,graphic designer is a pathbreaking guy.shankar the director-the longest running one film wonder of tamil cinema..gentleman being his only great film.
hey i am glad that u praise selva.lots ppl r becoming fond of selva bashing.bala,selvaraghavan,gautam mennon,cheran..these guys are the future of tamil cinema.
hey btw the graphics in raja china roja was cute!!
By Siddharth, at August 17, 2005 10:55 AM
Siddharth: Thanks man. Yea, the animations in Raja chinna Roja were the first in Indian films. AVM said they had to spend a lot of money to get it done.
--..--..--
Kavitha: Oh yea, that was too obvious!!
By tt_giant, at August 18, 2005 7:22 AM
Semma jolly research-a? My turn to say, 'nadathunga'!! :-) I think, even if Shankar does not want, his producers won't let him make a movie without 'graphics' now.
By Me too, at August 18, 2005 1:11 PM
A very nice analysis tt. A balanced view. I guess you missed Aalavandhan in which Kamal pathetically tried with CG and miserably failed (if you are planning to watch-don't :-))
Anyway, I guess it is something like stupid fight scenes (in most of the movies for that matter). I totally lost interest in them and I am of the view that a best movie should not have masala fights. Soon, I guess there will be a point when we will get too tired of CG to brand it stupid. After the matrix any CG like that seems non-original.
By Kasthuri, at August 18, 2005 2:44 PM
Aparna: Thanks. Idhaan po ttu vaangaradhu..:-)
--..--..--
Srini: nalla vezha, i did not see aalavandhaan.
matrix style stunts paththi shankar interview la padichen.. he said he "perfected" the technique!!.
paakaradhu naama thaane..
By tt_giant, at August 18, 2005 5:20 PM
ippo graphics is leading to over build up, for example sparks flying from rajinis feet when he walk in baba,
vara vara, directors think graphics can compensate for good acting and story,
and graphics paved the way for a whole host of AMMAN padams, and shanker can be credicted to have invented the genre!
By ada-paavi!!!!, at August 19, 2005 12:04 AM
man this is hilarious! hope to chk out the current generation lion pawing scene :> cant wait for that movie to be out. maybe you should post this article to a wider audience..the mamooed producers do need all the publicity they can get ;)
By Maverick, at August 19, 2005 9:01 AM
Vatsan: yea, I remember that scene.. pori parakka nadandhu varradhai literal a kaatraanga!
Shankar's movies are necessary evils in graphics aspect!
--..--..--
Maverick: welcome.. hehe.. glad that you liked it.
who knows.. A.M. Rathnam may read this blog(!!) and change his mind for his next venture..
By tt_giant, at August 19, 2005 12:10 PM
i hate shankar handling graphics. looks way too immature.
to spot it, i liked chandramukhi's types. thats innovative.
deepak, no CG in kuruthippunal. kayiru thaan.
oh yes, pachchai nirame song.. what a beauty.
ever seen Pattinathil Bootham (my all time favourites..).. imagine their struggle to show magic :)
By KRTY, at August 20, 2005 12:35 AM
Keerthi: Oh yea.. i have a set of Nagesh comedy CDs, one of which feature Pattanathil.. that is the technique vittalacharya used.. i too liked the special effects in that movie..
kurudhi punal ropes thaana.. but still it was good.
By tt_giant, at August 20, 2005 7:51 AM
Enna Deepak.. Innaikkavathu barber-kitte unga thalaiyai kodutheengala?
By Anonymous, at August 20, 2005 8:42 AM
GP: he he.. yes.. i had to do it this time. the barber had a tough time going through my head. I gave her a nice run for my money!
By tt_giant, at August 20, 2005 8:46 AM
i didn't notice this post on 'graphics/special effects' earlier, due to some unforseen circumstances at that time.
I agree that 'Jeans' used the technology to full extent without overdoing it. Shankar's other movies have few overdone scenes definitely.
By Ram C, at September 16, 2005 4:19 PM
hey!.. a comment on an old post!.
yea Ram: Jeans was a good example of not going overboard.
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